Music of the Week delves into the most recent songs we simply can’t get out of our heads. Discover these tracks and extra on our Spotify High Songs playlist, and for our favourite new songs from rising artists, try our Spotify New Sounds playlist. This week, Angel Olsen brings us to a smoky cabaret for her expansive new monitor, “Nothing’s Free.”
“Right here it comes,” coos Angel Olsen on the onset of her gorgeous new monitor “Nothing’s Free.” She then instantly describes the sensation of bursting outward, of breaking out of “that previous cell, the one you although would maintain you secure” — of being, basically, susceptible and uncooked.
However none of this arrives with cathartic fanfare, loud guitars, or sweeping excessive notes. As an alternative, Olsen and her band edge slowly alongside the abyss, melting like butter with every chord change. The monitor arrives as the primary single off Olsen’s upcoming EP, Perpetually Means (out April 14th), which discovered its origins within the periods of Olsen’s expansive 2022 album, Massive Time. The consuming feeling of “Nothing’s Free” aligns completely with the majesty of Massive Time, and it’s becoming that the music overlapped with these periods.
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However “Nothing’s Free” additionally lives in an alternate, noir-esque universe; guided by a heat piano and a saxophone shrouded in reverb, Olsen channels an getting older cabaret singer imparting her knowledge on an detached crowd. You’d assume a refrain with the phrase “Nothing’s free/ Like breaking free” could be sung with full abandon, and but, she utters these phrases with a hushed, jazzy lilt and a big quantity of weight — nearly like she longs to interrupt free as she as soon as had, and can’t discover it in her to do it as soon as extra.
This emotional battle is what drives “Nothing’s Free.” As Olsen reminds us “I’m damaged down for you want nobody else,” there’s a full and utter give up in that easy concept. A lot in order that she abstains from vocals after the phrase, letting a wistful sax solo and prolonged instrumental outro say what she can’t. With its evocative, cinematic slow-burn, “Nothing’s Free” is a beautiful reminder {that a} affected person bloom could be simply as liberating as throwing all of it out on the desk.
It’s additionally an instance of the place Olsen is headed artistically — with a sound that references comparable (albeit much less country-focused) traditional artists acknowledged in Massive Time, “Nothing’s Free” is thrilling new floor for her to display her intimate, fascinating songwriting.
Generally breaking free could be small and solemn, and generally it might really feel like the load of the world is bursting out of you. “Nothing’s Free” accommodates each, and when she arrives with the warning, “Right here it comes,” we, too, are prepared to interrupt free.
— Paolo Ragusa
Editorial Coordinator
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