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Some audio is tough to compress due to its randomness and sharp attacks.
When this kind of audio is compressed, artifacts like ringing or pre-echo are often heard. A sample of applause or simply a triangle instrument with a relatively reduced
bit price give
good examples of compression artifacts. Most subjective
testings of perceptual codecs are likely to avoid working with most of these audio
resources, however, the artifacts produced by percussive Appears are
barely perceptible because of the specific temporal masking
element from the 32
sub-band filterbank of Layer II on which the structure relies.